Sludskiy and Veselova assembled works from private collections of 17 artists; the pieces had been gifted to them by friends, colleagues, and partners throughout years.
With an incipient infrastructure to aid the arts, Kazakhstan's institutions are still learning the ropes of fundraising, collecting, and forming educational programs without the ideological interferences from the government. Consequently, artists have been driven to fulfill the role of public entities in archiving their own practices and collecting works by fellow artists.
Unlike works in private or national collections, these exhibits were neither commissioned nor acquired; they had been accumulated without a third party intrusion. This form of collecting relies on artistic inspiration, trust, and intimacy devoid of the influential mechanisms prevalent within the art market.